Andie MacDowell Wore a Tropical Robe With Her Pure Grey Curls to Her Daughter Margaret Qualley’s Wedding ceremony

Wedding ceremony visitor apparel might be complicated and arduous to grasp, particularly if you’re taking part in a giant position on the special occasion. So, in case you’re in want of some inspiration, look no additional than Andie MacDowell, who left no crumbs along with her mother-of-the-bride ensemble at her daughter Margaret Qualley’s wedding ceremony over the weekend.

For her daughter’s nuptials to music producer Jack Antonoff, MacDowell wore a hanging blue chiffon Cynthia Rowley costume with lengthy sleeves and a inexperienced palm leaf print. A keyhole cutout and a blue satin belt with a rosette embellishment had been the ultimate particulars on the breezy costume. She accessorized with a silver dragonfly necklace and an identical bracelet, and he or she wore her grey hair styled in its pure curls.

MacDowell has beforehand been open about embracing her silver strands as she’s gotten older. In a 2021 interview with InStyle, MacDowell defined that the COVID-19 pandemic is what initially inspired her to cease coloring her hair.

“Once I first began carrying my hair grey, my daughters [Margaret and Rainey Qualley] stored saying I seemed badass,” she mentioned on the time. “It was heartwarming to see such a optimistic response as a result of I had some resistance to the concept to start with. I believe it is badass to embrace the place you’re [in life] and be fearless. That’s precisely what I’m doing. I’m stepping proper into the place I’m with no disgrace, and it feels good.”

ICYMI, the star-studded nuptials occurred in New Jersey on Saturday with a powerful visitor record that included Taylor Swift, Zoë Kravitz, Channing Tatum, Cara Delevingne, Lana Del Rey, and extra. Qualley wore a easy ivory silk plunging halter costume with flat white Mary Janes. Swift apparently additionally wore a significant costume for the event.

In response to Swifties, Tay paid tribute to her good friend and music collaborator Antonoff in a corseted blue lace costume to represent her 1989 album (which marked her first time working with Antonoff) after not too long ago saying that it might be her subsequent re-recorded album. Within the cowl artwork, Swift wears a blue sweater and the phrase “blue” is a motif referenced typically all through the album.